Directions:  Read about "Scansion" on the right, try to apply the "rules" by looking at the sample on the left, then click on the audio link under line 8 to hear the lines read through your Real Player™ as you scroll  through the lines.  Be sure to listen more than once to see if the reading matches the scansion marked above lines 1 - 8 of the poem on the left.

 

......../............/.........../............./.............../

Let me not to the marriage of true minds      1

......./........./......../................../.........../

Admit impediments. Love is not love             2

............../.........../........../....../............/

Which alters when it alteration finds             3

........../................/........../......../............/

Or bends with the remover to remove.         4

........./........./......../......./............/

Oh, no! It is an ever fixed mark                     5

............/.............../............./........../............/......

That looks on tempests and is never shaken; 6

...../.........../........./............/................/

It is the star to every wand'ring bark,           7

................./.............../............../.................../............./.....

Whose worth's unknown although his height be taken.  8

Click here for a reading of the lines above.

 

SCANSION

Which words and syllables are most likely emphasized by the rhythm built into a poem? "Scansion" tells the answer.

Here are some "rules", probably a bit beyond what you might have encountered in a high school introduction to scansion:

1. A poet cannot wrench the normal way to say a word, so the first part of marriage has to be louder than the last part: MARRiage.

2. Words that carry meaning generally count more than function words. So nouns like minds and mark should be louder than words like to or of.


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Last revised: November 19, 2009 by Jan Strever -- jstrever@scc.spokane.edu
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