Lorrie Moore and Other Writer's Compared

There are many different styles of writing that authors have. Some authors like James Welch, Zora Neale Hurston, and Lorrie Moore use their own personal experiences when they are writing a novel or short story. In Lorrie Moore's book of short stories Birds of America, she shows a great deal of passion and emotion with each story so that the reader has a clear vision of the text. The stories are so descriptive and clear that I can get a visual of what she is talking about. I think that Moore likes to take risks in her writing and this makes her an awesome writer. Also, the stories make the reader wonder if they are related to her personal experiences. By having an autobiographical style of writing like Welch, showing her point of view through characters like Hurston, and clearly expressing her theme, Moore's talent will carry on with her in the future.

In the short story "People Like That Are The Only People Here," Moore uses autobiographical material. The story is about a child dying of cancer in a pediatric oncology ward. Vince Passaro, a journalist for Harper's Magazine, focused on Moore's connection with the characters in an online review of Birds of America. "Moore who has acknowledged that the piece fictionalizes something that did in fact happen to her son, purposefully plays on the whole notion of a story's autobiographical truth, making the narrator into a writer" (4). This shows the reader that Moore is definitely relating her writing with her own life. An example of an author that shows the same style of relation is James Welch's novel Fools Crow. In Fools Crow, Welch tells of the Pikuni Indians and their journeys to stay in their homeland. Welch uses the stories told by his father and grandmother to establish this novel of fiction. Like Moore, Welch relates to his characters from his own background.

Moore fully shows her point of view through her characters. For example, in the story "Real Estate," Ruth is the main character. She is dying of cancer and her husband tends to cheat on her on a regular basis. Moore expresses Ruth's character to the fullest by allowing her to become a strong person and wanting to die but the cancer is taking its time. "Though she would have preferred long ago to have died, fled, gotten it all over with, the body--Jesus, how the body!--took its time" (Moore, 211). By reading this material in the text, I could see that Moore was expressing how the character felt to the fullest. James Mcmanus, a journalist from The New York Times, reviewed the story "Real Estate" as "one of the powerhouse trio that concludes the collection, has the heft and ranginess, even the headlong story line, of a compressed novel" (2).

Moore leaves you wanting more from this story because the characters seem so real. A similarity to expressing an author's point of view through characters is show in Zora Neale Hurston's novel Their Eyes Were Watching God. Hurston uses personal experiences by telling about a young black woman who goes through life marrying three different men and really loving only one of them. Hurston allows the main character to come across as being her very own self. Hurston's characters are like Moore's because they are going through changes in life.

Moore clearly expresses her theme in Birds of America. Each story's characters are undergoing a mid-life crisis or a drastic change in their lives. Moore's past work has been focused on make believe characters and many readers had seemed to loose interest. In an article in The San Francisco Chronicle, Erika Milvy states, "Now, 12 years later, many of the characters in Moore's third story collection, "Birds of America," are facing the real deaths and diseases of their real children" (1). Almost all of the stories in Birds of America focus on real life situations. Moore's theme includes her ability to bring each character and setting to real life. Another writer that has a similar relation to Moore's ability to express the theme is Margaret Atwood.

Atwood shows this ability in the short story "The Man From Mars." This story gives you a clue right in the beginning of what the theme is and how it relates to the title. Atwood tells of a teenage girl who meets a guy from another culture and is afraid of him. The style of writing that Atwood shows in this particular story is a lot like Moore's style. The characters are very descriptive and the setting is fully described so that the reader has a clear vision of the story.

Birds of America is not only described as Moore's best work so far, but she has also been recognized and compared to other great authors around the world. Passaro states, "This decade has seen the publication of remarkable volumes of short fiction by such talents as the aforementioned Wallace, Johnson, and Moore as well as by writers of equal talent, such as Lydia Davis, Steven Millhauser, Joanna Scott, and Mary Gaitskill"(2). All of these authors share great talent of writing short fiction. It takes a great deal of talent to write a novel or short story. I think that Moore really shows her interest and capabilities of writing. I would refer Birds of America to almost anyone who enjoys reading material that is so in depth and realistic.

 


 

In an article from September 11, 1998’s issue of The New York Times, Michiko Kakutani, a journalist, gives his opinions and highlights of characters in Lorrie Moore’s book of short stories “Birds of America.”  He describes the characters as “lost, lonely people fumbling their way through life, banging their heads against walls, their hearts against old sorrows, as they migrate from relationship to relationship, home to home” (1).  Kakutani has a perfect way of describing Moore’s characters because that is exactly how they are in “Birds of America”.  Many of her other novels consist of younger characters rather than middle-aged people in “Birds of America”.  Kakutani seems to focus on comparing “Birds of America” with past books or novels Moore has published in the future.   “As in Ms. Moore’s earlier stories and novels, many of the characters in this volume are women trapped in – or abruptly ejected from –shopworn relationships” (2).  This lets you now that in all of Moore’s work, she tends to use the same type of characters and their mishaps.  Kakutani ends his review with a few highlights from some of the stories in the book.  He also tells about the feelings Moore has in the stories and how her skill as a writer is “wise and beguiling work” (3).

              In an article from September 20, 1998’s issue of The San Francisco Chronicle, Erika Milvy, a journalist, gives a full description and her thoughts of Lorrie Moore’s book of short stories “Birds of America”.     Milvy tells you some issues from Moore’s earlier work in the beginning of the article about her characters and how they are different from her new work.  She states, “The tragedy of Moore’s first novel, “Anagrams,” was that a solitary woman’s daughter turned out to be make-believe” (1).  Therefore, in her most recent book “Birds of America,” the characters are undergoing a more real type of lifestyle.  If the characters don’t reflect on their emotions and real life grief, it is somewhere nearby.  Milvy also gives some examples of Moore’s stories in “Birds of America,” and how the stories are similar because they either deal with death, or some type of crisis.  She tells how Moore is able to make jokes in the stories to keep the reader from becoming depressed while reading them.  “Moore’s fiction has always been full of brain sex” (3).  A quote from the first story “Willing” is given to show an example.   “It was like brains having sex.  It was like every brain was a sex maniac” (3).  Milvy leaves you with concluding that “These are not people to envy, not people one would want to be” (3).  By reading this quote, I think that it will make people want to read Moore’s books and help with the understanding of each character.   


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