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English 130.01 Course Schedule
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| Links To Consider | Assignments |
|---|---|
| Cleanth
Brooks, Robert Penn Warren & Robert Graves from Understanding Poetry: An
Anthology. |
Week One: What is Poetry?During this first week we will consider the question "What is poetry?" by
discussing various types of poetry with which we are (or are not) familiar, our reactions
to them and their place in a social context. From your textbook and handouts read the
following selections: Yeats, Kinnell, Homer, Browning, Olds, Owen. |
| Emily
Dickinson Lawrence Ferlinghetti, "Baseball Canto" |
Week Two: The Language of PoetryPoetic language often differs from prose or even colloquial language. We will discuss
the various aspects of poetic language, how poets emply them and their ultimate affect
upon the reader. From your textbook and handouts read the following selections: Williams,
Carroll, Cummings, Wordsworth, Marvell, Hall. |
| Gertrude Stein,
"Readings" John Ashbery, "What Is Poetry?" |
Week Three: The Meaning of Poetry"A poem does not mean, it simply is." True, but it does mean something to
each one of us. We will examine how poems create meanng, and oftentimes, an ambivalence of
meaning, thrugh a variety of methods. From your textbook and handouts read the following
selections: Blake, Frost, Keats, Plath, Hopkins, Shakespeare. |
| Adrienne Rich, "Aunt
Jennifer's Tigers" Wallace Stevens Langston Hughes, "The Negro Speaks of Rivers" |
Week Four: ImageryThe language of poetry is a language of images. Just how do these images stimulate our
senses and heighten our response to poetry? From your textbook and handouts read the
following selections: Pound, Roethke, Hopkins, Coleridge, Yeats, Stevens, Coleman. |
| Muriel
Rukeyser, "Metaphor to Action" Jack Kerouac, "trying to think of a rule..." |
Week Five: Figures of SpeechRemembering our previous discussions concerning language and meaning, we will examine
the various figures of speech which assist the poet in developing a specific poem. From
your textbook and handouts read the following selections: Shakespeare, Plath, Momaday,
Levertov, Burns, Ashberry. |
| Edna St.
Vincent Millay, "Two Sonnets in Memory" John Donne, "A Valediction: Forbidding Mourning" Allen Ginsberg, "Howl" |
Week Six: The Form of PoetryEvery poem follows a pattern and has a form. A poem may be patterned arund a central
theme providing an essential form. Or a poem might utilize rhyme scheme, meter, stanza
length, and graphic representation on the page as elements of formal construction. We will
analyze these various formal elements paying attention to the particular established forms
-- sonnet, etc. -- and how form influences content. From your textbook and handouts read
the following selections: Donne, Petrarch, Bishop, Whitman, Herbert, Dickinson. |
| Laurie Anderson Laurie Anderson, "From the Air" John Cage, "Writing through Howl" |
Week Seven: Song, Sound & RhythmA poem's origin lies in song. We will examine the musicality of a poem, and
consequently, the emphasis it places upon voice. From your textbook and handouts read the
following selections: Run DMC, Robinson, Simon, Poe, Lennon & McCartney, Housman. |
| Allen Ginsberg,
"America" Allen Ginsberg web site William Carlos Williams, "To Elsie" |
Week Eight: Song pt. 2We will continue our discussion of poem as song. From your textbook and handouts read
the following selections: Hopkins, Brooks, Parker, Millay, Hughes, Whitman. |
| Ezra Pound,
"The Encounter" Beat Poetry Home Page |
Week Nine: SymbolismSymbolism and Myth are essential aspects of all art forms. In poetry they are of
particular interest to the literary critic. We will analyze their significiacne and spend
time discussing Formalist Criticism of poetry. From your textbook and handouts read the
following selections: Baudelaire, Pound, Eliot, Yeats, Brooks, Frye. |
| George Oppen,
"The Prudery Of Frigidaire" Genevieve Taggard, "Interior" Louis Zukofsky, "[he men in the kitchens]" Ruth Lechlitner, "Lines for an Abortionist's Office" |
Week Ten: Voice & IdentityJust as poets speak poetry, poetry speaks the poet. A poem offers us insight into the
voice and identity of a specific poet. In discussing voice and identity we will also
examine Biographcal and Feminist criticism. From your textbook and handouts read the
following selections: Plath, Hughes, Justice, Lorca, Olds, Fiedler, Showalter. |
| Thomas McGrath,
"War Resisters' Song" Allen Tate, "Narcissus as Narcissus" |
Week Eleven: How Poetry Reads the WorldJust a a shell impresses itself upon sand, so too, does the world impress itself upon
the poem. How does the poem serve as an artifact of the time in which it was written? In
answering this question we will pay special attention to Historical Criticism of poetry.
From your textbook and handouts read the following selections: Hughes, Tennyson, Owen,
Reed, Sassoon, Whitman, Lukacs. |
| George Hartley,
"Textual Politics and the Language Poets" Jerome McGann, "Contemporary Poetry, Alternate Routes" Bob Perelman, "The Marginalization of Poetry" |
Week Twelve: How the World Reads PoetryIn light of previous discussion, we will examine the aspects of conversation,
collaboration and interactivity and their special place in the poem. While engaging this
topic we will pay close attention to Reader-Response Criticism of poetry. From your
textbook and handouts read the following selections: Fish, Scholes. Bidart. Ai. |
| "The
Lovesong of J. Alfred Prufrock" Walt Whitman, "Leaves of Grass" |
Week Thirteen: How the World Reads PoetryWe will continue our discussion concerning how we read poetry. As well, we will
critically examine the way hypertext functions within the study of poetry. From your
textbook and handouts read the following selections: Mallarme, Eliot. |
| William Carlos
Williams, "A poem is a small...machine" Hypertext Poetry |
Week Fourteen: Hypertext PoeticsWe will continue our discussion of the act of reading the poemn and conlude our course
by reviewing the interactive process which poetry and hypertext demand. |
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This page was last updated on July 26, 1996.
Contents within this site are copyrighted by both the author of essays and/or
Jan Strever.
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