
Noted childhood psychologist, J. Piaget, studied the
way people think from birth to adulthood. What he discovered was revolutionary for
his time. He found that humans can achieve four separate stages of reasoning ability
or ways to deal with words and their varying degrees of abstraction. The first two do not concern us,
as they concern sensory motor development, which all normal humans
attain. The third and fourth stages are the ones that writers must
attend to.
When humans are about eight or nine years old they
begin questioning to a certain degree the premises their lives
have been built upon. This stage of abstraction, the Concrete
Operational Stage, gives humans the ability to deal with
dualities. Either things are black or they are white -- good or bad -- right or
wrong. For example, Jane, a member of the Jones family, will state
that smoking is not good for a person. More often than not her
statement will be based on what she was told or what she has
experienced, as this phase gives us the ability to understand the
world according to our own experiences. Therefore, if Marie tells
a Jane that she had kumquats with her dinner, Jane will either
want to try them or not depending on her previous experience with
foods with strange sounding names. For example, if Jane had eaten
okra and she liked it, she will more willing to try kumquats; on
the other hand, if she had a bad experience with okra, she will
not want to try kumquats. The Concrete thinker is not even
tempted to try kumquats because she has made a decision-- foreign
sounding food is awful-- that will last her entire lifetime. (A
caveat--education can help the concrete person change, but she
must want that change before it can happen). Another thing to
consider with people who have Concrete thinking is that
they are not limited in intelligence; it just means a person has
difficulty grappling with word abstractions.
Now, let's look at the fourth stage,
Formal Operations.
People of Forman Operations hold diverse opinions about the same issues; for example, they
may believe abortion is wrong, but they also believe, abortion
is necessary when rape or underage pregnancy are underlying conditions to
the pregnancy. To Concrete Operations person, a
Formal Operator seems to sit on a fence about every issue.
Thinking about our former example, if we would reverse the
situation and Marie, who is a Formal Operator, were offered
a kumquat, she would think of all the reasons that she should and
shouldn't eat the fruit, and if she did not have enough
information, she would take the plunge and eat it, as risk-taking
is another trait of this stage of thinking. If a person
becomes a Formal Operations Thinker, it will occur after
the age of twelve. Now here's the kicker: Piaget suggested
that approximately only 20% of the population ever achieves this stage. Scientists
after him suggest that the figure is probably closer to 15%.
Think of the implications: any audience is comprised of 80%
Concrete
and 20% Formal thinkers. Thus, we turn to our purpose: how to
reach all
readers. That's where Hayakawa's comes in. H. I. Hayakawa was famous in the
1940s and 1950s for his rhetorical abstraction ladder. It's shown below. What this ladder
tells us is that any good writing includes all levels of abstraction, level
one
specifically.
What this means is that each and every one
body paragraphs needs a specific quote, example, situation or detail, so that
the needs of both the Concrete and Abstract thinker
are met. Because if a writer wants a Concrete thinker to
understand what he means, he must be explicit -- going so far as
to draw pictures with words, so to speak. In other words, be
specific. In other words, name things in
paragraphs. Don't just say tennis shoes, say Nike. Don't say downtown, say on
the corner of Riverside and Washington. If specifics are not used, the
Concrete thinker only has his experience to draw from.
By the way, using the varying levels in daily conversation will help
everyone communicate better!
Adding Vividness To Writing
Most writing contains a range of abstraction levels, but successful
professional writers draw heavily on Level One abstractions. Sophistication of thought deals
in the realm of abstraction, but sophistication of writing is achieved through supporting
those abstractions with concrete details. Specificity allows a writer to truly communicate
meaning. |
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Levels of Abstractions
Level Four: Abstractions
Examples: life, beauty, love, time, success, power,
happiness, faith, hope, charity, evil, good. |
Level Three: Noun classes: broad group names with little
specification.
Examples: People, men, women, young people,
everybody, nobody, industry, we, goals, things, television. |
Level Two: Noun categories: more definite groups.
Examples: teen-agers, middle-class, clothing
industry, parents, college campus, newborn child, TV comedies, house plants. |
Level One: Specific, identifiable nouns.
Examples: Levi 501 jeans, my blue, three
bedroom house on Hollis Street, In Living Color, Bud commercials, African violets,
Tina's newborn sister, Mina. |
| Sample Abstraction Ladders: |
| Level
Four |
society |
human endeavors |
economy |
| Level
Three |
most people |
industries |
farm assets |
| Level
Two |
spoiled child |
cosmetic company |
cattle |
| Level One |
my sister, Tracy |
Max Factor, Inc. |
Bessie, the cow |
(*based on the work of Hayakawa's ladder of abstractions)
In the simplest terms then, if Level One abstraction is used in writing, the
audience will understand what ideas and concepts are being discussed. Also, the details used will save
much work. If a writer is trying to describe a person, and she mentions that
the protagonist wore Birkenstock's and a jeans skirt, an image
is evoked in the reader's mind; whereas,
if the writer says the protagonist was dressed in casual attire, the reader's impression of the
character is
not as strong, and the audience will be free to interpret the writer's meaning in ways. Wearing a green and pink housecoat with flip-flops would mean casual to many
people, so using the levels of abstractions carefully will help convey meaning to
the
audience.

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